Dryden--An Essay of Dramatic Poesy Four Critics: 1) Eugenius--favors the moderns over the ancients, inclination that the moderns go along the ancients because of having learned and profited from their mannikin. 2) Crites--argues in favor of the ancients: they naturalised the unities; salient rules were spelled forth by Aristotle which the current--and esteemed--French playwrights follow; and Ben Jonson--the greatest face playwright, according to Crites--followed the ancients example by adhering to the unities. 3) Lisideius--argues that French drama is banner to incline drama, basing this scene of the French writers close adherence to the real separation of clowning and tragedy. For Lisideius no theater in the conception has anything so farcical as the English tragicomedy . . . in two hours and a half, we run through all the fits of Bedlam. 4) Neander (thought to contain Dryden)--favors the moderns, but does non disparage the ancients. He also favors English dram a--and has near censorious things to say of French drama: those beauties of the French poetry atomic number 18 such as go forth raise perfection high where it is, but are non sufficient to nominate it where it is not: they are indeed the beauties of a statue, but not of a man. Five issues: 1)Ancients vs. Moderns 2) Unities 3) French vs.
English Drama 4) Separation of Tragedy and prank vs. Tragicomedy 5) justness of Rhyme in Drama Dryden is a neoclassic critic, and as such he deals in his criticism with issues of form and trust in drama. However, he is not a rule give critic, tied down to the classical unities or to notions of what con! stitutes a right(a) type for the stage. He relies heavily on Corneille--and through him on Horace--which places him in a pragmatic tradition. Dryden wrote this essay as a dramatic dialogue with quadruplet characters representing four tiny positions. these four critical positions deal with five issues. Eugenius (whose name may mingy nearly born)...If you want to get a bounteous essay, grade it on our website: OrderCustomPaper.com
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